Emma Willis exuded the confidence and poise of a person in complete control as she walked the red carpet at the BAFTA Nominees Party. She looked completely relaxed, walking confidently next to her husband Matt in a sleek gown. Behind her composed exterior, however, she was dealing with the fallout from a very personal medical revelation that had completely taken her by surprise. Emma discovered in her late forties that she had unwittingly had a congenital heart defect all of her life. The discovery was made during what she described as a routine check that became unexpectedly serious, rather than as a result of dramatic symptoms.
The diagnosis was as shocking as it was invisible: she had a hole in her heart. Ironically, Emma had never displayed overt symptoms of the illness. Her hectic, high-functioning lifestyle didn’t cause any concern. Once diagnosed, however, the medical advice was prompt and decisive. Keyhole surgery was required for her. Despite being less intrusive than open heart surgery, the procedure was a life-changing event for her. She recovered quickly physically. The process was much more complex psychologically. She characterized the experience as “scrambling her head,” a vivid term that many people who receive unexpected diagnoses may find remarkably reminiscent of their own emotional reaction.
Emma Willis – Personal & Career Information | Details |
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Full Name | Emma Louise Willis (née Griffiths) |
Date of Birth | March 18, 1976 |
Age | 49 years old |
Profession | Television presenter, former model |
Key Projects | Big Brother UK, The Voice UK, Love Is Blind UK |
Marital Status | Married to Matt Willis |
Children | Three |
Recent Health Update | Undergone keyhole heart surgery in April 2025 |
Upcoming Project | Change Your Mind, Change Your Life on BBC Two |
Verified Source | Daily Mail |
She revealed that the dissonance between her feelings and what she now knew was what made the recovery challenging, not pain. She stated bluntly, “It’s a strange thing to realize that your heart has been functioning a certain way your entire life—and suddenly, it’s not anymore.” Instead of using clinical terminology, she explained the difficulty as a profoundly internal change that necessitated reestablishing her trust in her own body. It was more mentally confusing because the healing was invisible and completely internal. Emma’s journey revealed something less obvious but no less significant in a society where scars or bandages are frequently used to gauge recovery.

Emma began to reframe her experience with the help of breathwork, therapy, and her husband’s unwavering support. Matt Willis, who is well-known for his music career and his support of addiction treatment, proved to be especially helpful. Having publicly faced his own challenges, he supported Emma in maintaining her composure when her anxiety flared. “Any strange sensation in your chest causes your mind to go into overdrive,” she acknowledged. However, Matt guided her through those upswings with his focus on emotional clarity and mindfulness. Not only was his presence consoling, but it was also very stabilizing.
Since then, their shared experience has developed into a new collaborative project: the mental health-focused BBC Two documentary series Change Your Mind, Change Your Life. It seems almost coincidental in timing. The show asked Emma to help others navigate their emotional landscapes at the same time that she was starting to navigate her post-surgery psychological shift. With stories of people battling trauma, anxiety, and depression as well as real-life therapy sessions, the show aims to provide viewers with both practical tools and unvarnished honesty. Instead of presenting themselves as authorities, Emma and Matt take on the role of sympathetic observers, taking part, thinking, and gently guiding.
Emma’s own experience reflects a broader cultural trend in which health discussions are becoming more nuanced and comprehensive. Celebrities revealing personal health issues was uncommon not long ago. Celebrities like Selena Gomez and Hailey Bieber have now spoken out about autoimmune diseases and heart problems, which has helped to shatter the myth that they are in perfect health. Emma’s story is especially potent because it happened in a quiet and unobtrusive manner. It highlights that alarms aren’t always a sign of a health emergency. They can occasionally show up in silence and require more emotional fortitude than physical toughness.
In the entertainment sector, where strength is frequently confused with invincibility, this candor is especially welcome. Emma’s story, on the other hand, is characterized by humility. She didn’t portray herself as a hero who made a comeback or claim to be brave. She characterized herself as an overthinker, a spiral, and a panicker, but she also seeks assistance and overcomes the discomfort. Given her polished public image, it feels particularly innovative that she is willing to be viewed in this vulnerable light.
Such openness has an effect that goes beyond fans. Emma’s story might strike a deep chord with women in particular. Women’s heart disease is still underdiagnosed, frequently due to its subtle symptoms that can resemble weariness or anxiety. Emma provides a more comprehensive view of what heart health can involve by addressing both the physical process and the psychological fallout. She gives a voice to a medical discourse that all too frequently ignores the subtleties of the female experience.
Another important factor in how she frames her recovery is therapy. She attributes it to bolstering her marriage as well as assisting her in overcoming the aftermath of the surgery. “We weren’t in trouble,” she clarified, “but therapy helped us hone what was already powerful.” That attitude—desiring to enhance understanding rather than merely solve issues—is especially heartening. Instead of focusing on crisis management, it advocates for a mindset of continuous improvement.
Matt agreed, pointing out that therapy altered their approach to conflict. They now operate under the assumption that two truths can coexist, as opposed to the default of “I’m right, you’re wrong.” It works especially well for negotiating the erratic landscape of partnership, public life, and recovery. Similar to Emma’s own recovery, this adaptability speaks volumes about resilience—not as a catchphrase, but as a lived, frequently messy process.